For Intervals of Attention we commissioned ten artists to play with already existing web video formats and performativity in the context of the attention economy.
The Soothsayings of Iris is the first collaboration between Swiss based artists Lauren Huret and Maria Guta. Based on the 73 Questions Vogue format, this prophetic satire is an interview with a fictive character, a mash-up of several intriguing public figures that populate our networks.
Nona Inescu’s Origene (Unboxing) has its starting point in the controversial process of de-extinction, also known as species revivalism or resurrection biology, by which an organism which is either extinct or resembles an extinct species is restored, mostly by cloning it.
Jimmy Robert takes on the notion of Masquerade using make-up to 'act' different potential selves. Refusing to be reduced to just one self, My secret for everyday make-up is a tragi-comic parody of an existing solution, using performance to access these other potential selves.
In Group Chat, a fragmented and disrupted teleconference between micro-characters mirrors equally incohesive discourse on the macro scale. MarksMara suggests that it’s time to update our contacts to include the microbial others - those who co-constitute “us” and have rendered the notion of individuality obsolete.
In Don't Forget to Smash That Subscribe Button Vol 1-3, Colin Self teaches themselves how to use TikTok as a method to distribute information about Surveillance Capitalism. Compiled here are the first three videos of the expository series, laying out the fundamentals of what Surveillance Capitalism is.
With Whosician, you can learn to master the piano, guitar, bass, or stones from your own home. Featuring technique guides and play alongs with your favourite tracks by Yun Lee.
In Sungazing with Cyber Jaya, the eminent tech guru guides users on a journey of evolutionary transformation connecting to the most fundamental energy source: the sun.
The On-Going Performance of Metaphysics by Ion Dumitrescu is a visual essay mirroring a homonym text essay, addressing and speculating on the role of metaphysics in contemporary politics.
Stine Janvin and Morten Joh’s Dismissal is a choreography for four cameras and a streaming machine, recorded live in Stavanger, Norway. The intimacy combined with the high speed of the shifting images draws inspiration from personal live stories, ASMR and social media marketing.
